Monday, April 4, 2011

Did Christianity Kill Marvin Gaye ?



  " It puts a twisted spin on Jesus’ last words on the cross: “Father, into your hands I commend my Spirit.”  


In private moments otherwise shrouded in darkness, Christians feel the presence of God looming over their shoulders. The Omniscient Eye bears witness to every messy indiscretion behind closed doors and probes dirty thoughts like a supernatural panty-raider.
In view of his popular image, Marvin Gaye  seems as different as sly grins and slit wrists, but the camera overlookshis  heritage. He was child of a church-dwelling God, and His relentless imposition of conscience drove him to the very edge of sanity—where he promptly jumped into the Abyss. 
Marvin met their Maker on April 1st. No foolin’.




Marvin Gay Jr. grew up under the thumb of the “Hebrew Pentecostal” House of God denomination. His father, Marvin Gay Sr., was an ambitious preacher in the Washington DC congregation, and swung an iron fist on any defiant soul living under his roof. 

The rules were simple: No make up, no television, no wine, no swine, no sweethearts, no playing after dark, no bed-wetting, and don’t even think about having fun.

The ministry brought many blessings to the Reverend Gay—despite his hobgoblin visage—including the loose “sisters” of the congregation who were more than willing to service a man of God under the nose of his timid wife. In his own mind, the pastor was destined to become a big time prophet. His dreams of sainthood were shattered, however, when theological rifts within the House of God left him with a meager flock to tend. 

Defeated and disillusioned, the failed spiritual leader retreated into the quiet sanctum of his stank bedroom, where he would slip into his wife’s silky dresses and nylon stockings, swig jugs of liquor, and stare into the mirror while wearing a stringy, honky-haired wig. If that got boring, he would just go out and slap his family around. He particularly despised his handsome and talented son, Marvin Gay Jr., calling him a “sinner” and a “faggot” for abandoning the choir to sing the Devil’s boogie-woogie. 

Marvin Jr. escaped this oppressive teenage existence by joining the Air Force in 1956. He didn’t much care for the military’s rules, either, but at least he got a chance to “do the nasty” off base—with a blubbery whore at Patsy Prim’s Cathouse. This two-pump poke-down was hardly the sacred act Marvin’s preacher had talked about and the post-coital guilt nearly crushed the young man’s soul.

Within a year, Marvin was granted an honorable discharge after faking the crazies. He headed back to his old ‘hood in DC, moved in with a sexy new girlfriend, and set about becoming a star. Of course, there was one final tie to sever. Upon realizing that the slang of the day had shifted against his surname, he immediately added the now-familiar “e” to dispel any confusion. Can you blame him? 

Marvin made his way to Detroit in 1959, where he would find his destiny in Anna Gordy—a gorgeous, world-wise woman seventeen years his senior. She immediately fell in love with Marvin’s voice, and soon insisted that her brother—the founder of Motown Records—give him a listen. Berry Gordy saw an R&B star ready to burn, and wasted no time buying the rights to the singer’s soul. Before long, Anna Gordy said, “I do.”

In the early days of his touring career, Marvin remained faithful to Anna. He was content to just smoke a joint, rub some cocaine on his gums, and cozy up in his hotel room with a stack of skin mags. After awhile, though, he began to bring a prostitute or two into the mix. Perhaps it was a lingering tendency from porn-consumption, but he generally preferred to simply watch his hired help undress and fondle each other. If the specter of guilt arose, he would remind himself that the Patriarchs of the Old Testament were polygamous, so why shouldn’t he enjoy some variety? 

“Prostitutes protect me from passion,” Marvin maintained. “Passions are dangerous. They can cause you to lust after other men’s wives.” 

Publicly, Marvin was famous for his steamy duets, but it was pure magic when in 1967 he stepped into the national spotlight with the vibrant Tammi Terrell singing by his side. While race riots set Detroit on fire, America gazed in wonder as Tammi and Marvin sang of precious love, and for a moment it seemed possible that there “ain’t no mountain high enough” to keep true lovers apart. 

Then one night Tammi fainted into Marvin’s arms onstage. Doctors discovered a tumor in her brain. A series of unsuccessful operations left the once gorgeous performer in a wheelchair—blind, bald, and unable to perform the simplest tasks. Marvin was so distraught that he would not go onstage again for four years. 

Throughout Tammi’s decline, Marvin sought peace in solitude, reefer, and spiritual self-help books like Carlos Castaneda’s The Teachings of Don Juan. “I would like to become a man of power and knowledge,” he proclaimed to one interviewer. At 31, he developed megalomaniacal athletic aspirations. He played basketball, took up boxing, and even considered trying out for the Detroit Lions—to everyone’s amusement. The numby gummies had lost their luster at this point, so Marvin began sniffing instead. 

Continuous television coverage of Martin Luther King’s assassination, the endless Vietnam War, and America’s deteriorating black ghettos erupted upon Gaye’s consciousness, stirring his troubled soul. He turned to the Spirit, gravitated toward New Age Gnosticism, and became convinced that the End was nigh—but that he was chosen by God to lead the Spiritual Elite to glory. 

The long-awaited release of What’s Going On in 1971 took everyone by surprise. Beneath the album’s soothing vocals is a call for social justice, a wail of racial despair, and a warning of immanent ecological and/or nuclear catastrophe. Emerging from this hopeless vision is the plea to just save the children. Backed by groovy percussion and fronted by Marvin’s winning smile, the project was a smash hit whose impact endures to this day. The revolutionary youth fell in love with it. Marvin was no longer “The Sound of Young America.” On this album, he became the Voice of Black America. 

Janis Hunter was also in love. The young girl stopped by the studio one day in 1973, and Marvin could not help himself. Her creamy, Cuban complexion, her lithe body and bubbly admiration—it was just too tempting. His wife Anna was 51 at this point—seventeen years older than Marvin. Janis was seventeen years younger—making her seventeen years-old. She was Marvin’s last chance to bask in innocence, purity, and the naïve optimism that is the folly of youth. Janis had much to learn. 

This period saw the release of such seductive hits as “Let’s Get It On” and “You Sure Love To Ball.” Marvin left his humiliated wife and retreated with his little love bunny to a rugged cabin on the coastline. By the late 70s, Marvin and young Jan were married with children. They toured the world on a wave of erotic fame, snorted snow drifts of cocaine, and strained the limits of bizarre sexual pleasures. 

Marvin’s New Age obsessions continued. He got into biofeedback and vegetarianism, wore brass pyramids one his head around the house, and remained convinced that Armageddon would soon purge the Earth of the unworthy—leaving him and the Elite to start anew. Perhaps these survivors would listen to sexy R&B tunes while disposing of irradiated mutants. 

Marvin’s adventurous nymph eventually grew tired of his power trips and started exploring other partners. The early 80s found Gaye holding the #1 spot with “Sexual Healing,” while Teddy Pendergrass and Rick James were laying hands on his young wife. It drove Marvin to slap Jan silly, but he also blamed himself for corrupting her. 

Time rolled over him like a train to Batshitville. The End was nigh, and his nostrils were blown out. Marvin took to free-basing instead. He did one last tour in 1983 to scrape up cash. Sometimes he brought multiple couples up to his hotel room, and had them soak his sheets with some midnight love while he stopped, looked, and listened. 

He would occasionally repent in desperate moments, once smashing a glass pipe under a Bible as a symbolic gesture. Again and again, he vowed to live a life of purity and ferociously condemned the drug use of his companions. God forgives. Jesus is the Truth and the Light. But cocaine was readily available. A million dollars, a million record sales, a million brain cells boiling on aluminum foil and sucked through a glass tube. That shit is terrible for your teeth. 

Threatening voices emanated from the television set like gakked-out Jiminy Crickets. Marvin would frequently dismantle telephones to search for recording devices. His soul was exposed. Everyone was out to get him. Maybe they would come after his parents instead. His beloved mother! Marvin sent his father an unregistered .38 pistol, just in case. 

In Marvin’s mind, he was the biggest star in the world. A Savior of the human race. But his sins were rotting hot dogs stuck to his ribs, and the hounds of Hell drooled in the shadows. Groupies’ husbands, Jan’s father, unpaid drug-dealers, radicalized black supremacists, Berry Gordy’s henchmen, the FBI, the IRS, and of course, God Himself had a bone to pick with Marvin Gaye. One night he thought the Devil had finally come for him, and his bodyguard found him blabbering on the hotel bed with 666 pasted to his sweaty forehead. 

The last months of Marvin Gaye’s life were spent under his father’s roof in the suburbs of LA. Marvin had bought the home for his parents some years back, but was still ashamed to live there. He was forty-four, fat, balding, bankrupt, and estranged from both Anna and Jan. His children were kept from him, and his career was all washed up. 

Threats of suicide became commonplace but Marvin considered that to be an unforgivable sin. So he holed up in his darkened bedroom wearing a soiled bathrobe, consumed quantities of coke and PCP, and stared out the window for his coming assassins. Like father, like son. One close friend claimed that in his isolation, Marvin had taken up “some weird sexual thing” so perverse the friend refused to give details. I have my guesses, though. 

Marvin’s father stayed drunk and disgusted with his son. His mother prayed for him in tears. Marvin just disintegrated. Then, without warning, Judgment Day arrived. 
Marvin was laying on his bed talking to his mother, when his father came to the door griping about a lost insurance policy. He cursed at Marvin’s mother like she was a dog. So Marvin leapt from the bed and began to beat the shit out of him. “Motherfucker, you want some more?” He punched and kicked the pitiful old man repeatedly, then returned to his room. 

Marvin Gay Sr. took the .38 his son had given him, walked to Marvin Jr.’s room, and shot him in the chest—then popped one more into his torso for good measure. Marvin Gaye was pronounced dead on April 1, 1984—one day before his forty-fifth birthday. 
People close to him said that Marvin intentionally took his own life by his father’s hand. It puts a twisted spin on Jesus’ last words on the cross: “Father, into your hands I commend my Spirit.”  

Marvin Gay Sr. had warned Marvin Jr. many times, “I brought you into this world, and if you lay a hand on me I’ll take you out.” If nothing else, he was a man of his word. While in jail, a reporter asked Marvin Sr. if he loved his son. After some hesitation he replied, “Let’s say that I didn’t dislike him.” It turns out that Marvin Sr. had a wicked brain tumor. He was given five years probation for voluntary manslaughter and confined to a nursing home, where he gradually lost his marbles.  
“I could never imagine [Marvin Gaye] living to be an old man,” Jan said of her late husband. “He was drawn to danger[...] The dark side of life and the dark side of the mind really fascinated him. There was stuff that just went so deep, so dark and so bizarre. That was the driving force with him for many years.”

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Posted by cybercasualty on April 1, 2011      









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