Marvin Gaye: 'I was terribly disillusioned with life'
To
mark the 30th anniversary of Marvin Gaye's death on 1 April, here's a
rare interview from Disc and Music Echo from 1971 between Phil Symes and
the musician, from Rock's Backpages
And that's about as far as it goes.
He is without question Motown's most popular male singer – yet also the least known-about. The mystery is of his own choosing. He hasn't spoken to a press man in three years.
Until now.
Disc called Gaye's Detroit home, caught him halfway through a hamburger and a new song, and he agreed to break his lengthy silence to talk about his career, which is on the up again following the success of What's Going On. He quashed rumours that he'd quit, explained why he's been hiding out for three years, and what he's been doing.
"It wasn't a case of being big-headed or temperamental that kept me from doing interviews during the last three years. I was terribly disillusioned with a lot of things in life and life in general, and decided to take time out to try to do something about it.
"In a sense the rumours suggesting I had quit were true; I had retired, but only from the personal-appearance end. I did that because I had always felt conspicuous onstage and I'm not the sort of person who likes to be an exhibitionist.
"I spent the three years writing, producing and reflecting. Reflecting upon life and upon America especially – because that's where I live – its injustices, its evils and its goods.
"Not that I'm a radical – I think of myself as a very middle-of-the-road sort of person with a good sense of judgment. I think if I had to choose another profession I'd like to be a judge because I'm very capable of determining what's right and what's not."
The main result of his period of semi-retirement was the single What's Going On and an album of the same title.
"The album and single show the sort of emotion and personal feelings I have about the situations in America and the world. I think I've got a real love thing going. I love people, I love life and I love nature and I can't see why other people can't be like that.
"I can remember as a child I always kept myself to myself and I always dug nature. I used to fool around with worms, beetles and birds, and I used to admire them while the other kids were playing sports. It was like some strange force made me more aware of nature. Those kids playing sports were also showing love – love for sport. And if we could integrate all types of love into one sphere we'd have it made."
Marvin's genuine love for his fellow man was the reason behind his recording of Abraham, Martin And John, which was a British hit last July. So totally uninvolved with the music scene is Marvin that he didn't even know until Disc told him during this conversation that Abraham, Martin And John had been a single here, let alone a hit!
"The people over there dug that? Hey man, I didn't know that. I'm glad because I really dig it over in Britain. The last time I was there was five, maybe six years ago and my visit was probably one of the more memorable experiences of my life. I love Britain.
"Nobody told me that song was a hit. And I don't go around seeking out news like that; I don't get the charts or anything. To me it's so commercialised and that's not where my head is. It doesn't matter to me whether people dig my stuff or not."
However, despite that statement he does have positive feelings about the recent American success of What's Going On.
"I feel very good about it. I wasn't sure what would happen to it. But I don't feel good for myself – I didn't have much to do with the song; I feel it all came from God. He drew me into it."
He speaks of his new album in the same way – "I musn't get into ego tripping, because I didn't have much to do with it. But I'm only human and when you get a lot of pats on the back for something it makes you go on trips. I was only the instrument in the album – all the inspiration came from God himself. It's one that should be listened to.
"The material is social commentary but there's nothing extreme on it. I did it not only to help humanity but to help me as well, and I think it has. It's given me a certain amount of peace."
Following his return to the charts, Marvin has been forced to think again about his retirement from personal appearances, but he's resolute and won't appear on stage again – in America.
"But I'd certainly consider a European tour. I'd love to come back some day and say hi to the people, see the country and groove there. It's been a long time and I'm beginning to feel like an old man. I feel that people in Europe are different from Americans – I think your soul is a little deeper. What a helluva thing I'm saying! There you seem to understand my blackness, my forcefulness and my earthiness. I feel you understand and I get the vibration that you care a little more."
Marvin approaches his career with a disarming take-it-or-leave-it attitude. He will admit he only released What's Going On because "there seemed to be nothing else to do. My life, destiny and fate weren't pointing in any direction, so I thought maybe that would bring it all together a little more."
He has no plans for the future – "I don't have any plans at all. I never plan anything. I never have and I never will."
One thing about his future activities is certain, though – he says he won't ever again work with a female singer as he did with Kim Weston, Mary Wells or Tammi Terrell.
"I had such emotional experiences with Tammi and her subsequent death that I don't imagine I'll ever work with a girl again."
The only positive statement he can make about his career is – "I intend to write a lot more and produce other artists. Now I'm working a Motown group, the Originals, who are really talented. And I'm going to work with more people – anyone who asks and anyone who puts their trust in me.
"But I won't be doing any more interviews."
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