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Bobby Smith of the Spinners Gone
We have received several reports that Bobbie
Smith, co-founder and long time co-lead singer of the
legendary Spinners, has died at age 76. No details are available
and no statement or confirmation has been provided by Smith's
family.
Smith was born and raised in Detroit, Michigan and became a
fixture on the local music scene with his group mates. He was also
the group's original lead singer, and was the voice on the
Spinners' first hit, "That's What Girls Are Made For" and shared
the lead with Philippe Wynne - and later, John Edwards - on the
group's biggest hits in the 1970s, including "I'll Be Around," "Could It Be I'm Falling In
Love" and "Games People Play."
The
Spinners thought they had hit their first break when they were
signed by Motown in the mid-60s, but they toiled in virtual
obscurity for years as one of Motown's "forgotten" groups. Many
folks around Hitsville, USA knew that the quintet, consisting of
Henry Fambrough, Billy Henderson, Smith, Pervis Jackson and G.C.
Cameron, was a solid vocal group and an entertaining act. But
they were in a stable full of prize winning horses, and getting
the attention of the Motown brass was next to impossible. Without
that attention, success appeared equally impossible. And that was
the case until their good friend, Stevie Wonder, wrote a song for
them that was so strong, even Motown's indifference couldn't stop
it. In the summer of 1970, around the time the Spinners' Motown
contract expired and almost a year after it was recorded, Wonder's
"It's a Shame" became an international smash for the Spinners and
gave the world a glimpse of a future supergroup.
I
nterestingly, while the Spinners had
not garnered much commercial success during their Motown years,
they had earned the interest of a young producer named Thom Bell,
who felt that the Spinners' tight harmonies and smooth delivery
could be the perfect vehicle for his brand of sophisticated soul
music. Along with Kenny Gamble and Leon Huff, Bell was the
architect of the "Philadelphia Sound," a new style of orchestral
soul music that borrowed as much from the big bands of the 40s and
50s as from the Motown sound of the 60s, all wrapped up in
exquisite production that appealed to adults as much as to the
teenagers that AM radio targeted.
The result of the first Bell/Spinners collaboration was
historic. The Spinners, released in
1973, was not only a bold statement of a new beginning for the
group, it became one of the most important soul albums ever. Boasting four top 10 hits, "I'll Be Around,"
"Could It Be I'm Falling In Love," "One of a Kind" and
"Ghetto Child," the disc immediately moved the
Spinners to the upper echelon of soul music and established the
Philadelphia Sound as the definitive sound of the early 70s. The
Spinners, along with the Stylistics, the O'Jays and Harold Melvin
& the Blue Notes, among others, shifted the soul music world's
attention from Detroit to Philadelphia, and kept it there for most
of the decade.
The Spinners/Bell train continued to roll for another seven
albums, resulting in such classic songs as
"Mighty Love," "Games People Play," "Sadie," "Then Came You"
(with Dionne Warwick), and "I'm Coming Home." In
1979, with the dance craze in full bloom, The Spinners changed
direction, teaming with Michael Zager, a moderately successful
dance producer whose style was as straightforward and blunt as
Bell's was subtle and sophisticated. Their first Zager
collaboration, the disappointing Dancin' and Lovin',
stalled on the charts for several months until the album's second
single, an unlikely dance remake of the Four Seasons' "Working My
Way Back to You," hit the radio and zoomed to the top of the
charts. This led to a smash remake of Sam Cooke's "Cupid" in
1980.
The group continued recording into the
90s with less success, largely due to uneven material, and became
fixtures on the oldies circuit. Illness and death also decimated
the act, as John Edwards (Wynne's 1977 replacement), suffered a
debilitating stroke in 2002. Henderson died in 2007 and Jackson in
2008, leaving Smith and Fambrough with three newer members.
While the flamboyant Wynne was largely
viewed as the "face" of the Spinners, Smith and Fambrough were the
rocks of the group, leading the act through good times and
difficult times for nearly 60 years. And Smith was an immensely
underrated singer whose performances - particularly during the
Spinners' heyday - were memorable. The Spinners were undoubtedly
one of the greatest vocal groups of the 20th Century and Smith was
an irreplaceable part of that success. He will be missed
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